Such a simple, haunting beauty in this one. I had no idea what I was in for when I picked it up. It’s a book that… https://t.co/26lAOLGt7n
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From the author of the Booker Prize-winning The Remains of the Day and Never Let Me Go
‘You’ve long set your heart against it, Axl, I know. But it’s time now to think on it anew. There’s a journey we must go on, and no more delay…’
The Romans have long since departed, and Britain is steadily declining into ruin. But at least the wars that once ravaged the country have ceased.
The Buried Giant begins as a couple set off across a troubled land of mist and rain in the hope of finding a son they have not seen in years.
Sometimes savage, often intensely moving, Kazuo Ishiguro’s first novel in a decade is about lost memories, love, revenge and war.
'Quite possibly the literary event of 2015 ... another thought-provoking literary masterpiece.'The Bookseller
'His first novel since Never Let Me Go a decade ago is a striking departure, set in a mythical post-Roman England where memories of Arthur are fading and Britons and Saxons live in uneasy peace.'The Guardian
'Its setting may come as a surprise to fans of The Remains of the Day, Never Let Me Go, etc, but it's worth suspending disbelief - the leading couple, Axl and Beatrice, in particular, are typically, exquisitely, Ishiguro.'The Independent
'A new novel from Kazuo Ishiguro, his first in 10 years, is arguably the literary event of the year.'BBC News
'It has been 10 years since the Man Booker winner's previous novel, so this new one is something of an event. The surprising setting - post-Roman Britain - makes it even more intriguing.'The Sunday Times
'We don't like to play favourites, but the excitement of Ishiguro's first novel in 10 years has had us reaching for the blood-pressure pills.'The Daily Telegraph
In a sublime short story collection, Kazuo Ishiguro explores ideas of love, music and the passing of time. From the piazzas of Italy to the Malvern Hills, a London flat to the ‘hush-hush floor’ of an exclusive Hollywood hotel, the characters we encounter range from young dreamers to cafe musicians to faded stars, all of them at some moment of reckoning.
Gentle, intimate and witty, this quintet is marked by a haunting theme: the struggle to keep alive a sense of life’s romance, even as one gets older, relationships flounder and youthful hopes recede.
In one of the most memorable novels of recent years, Kazuo Ishiguro imagines the lives of a group of students growing up in a darkly skewered version of contemporary England. Narrated by Kathy, now 31, Never Let Me Go hauntingly dramatises her attempts to come to terms with her childhood at the seemingly idyllic Hailsham School, and with the fate that has always awaited her and her closest friends in the wider world. A story of love, friendship and memory, Never Let Me Go is charged throughout with a sense of the fragility of life.
England, 1930s. Christopher Banks has become the country’s most celebrated detective, his cases the talk of London society. Yet one unsolved crime has always haunted him; the mysterious disappearance of his parents, in Old Shanghai, when he was a small boy. Now, as the world lurches towards total war, Banks realises the time has come for him to return to the city of his childhood and at last solve the mystery – that only by his doing so will civilisation be saved from the approaching catastrophe.
Moving between London and Shanghai of the inter-war years, When We Were Orphans is a story of memory, intrigue and the need to return; of a childhood vision of the world surviving deep into adulthood, indelibly shaping and distorting a person’s life.
Ryder, a renowned pianist, arrives in a Central European city he cannot identify for a concert he cannot remember agreeing to give. But then as he traverses a landscape by turns eerie and comical – and always strangely malleable, as a dream might be – he comes steadily to realise he is facing the most crucial performance of his life.
Ishiguro’s extraordinary and original study of a man whose life has accelerated beyond his control was met on publication by consternation, vilification – and the highest praise.
In the summer of 1956, Stevens, the ageing butler of Darlington Hall, embarks on a leisurely holiday that will take him deep into the English countryside and into his past…
A contemporary classic, The Remains of the Day is Kazuo Ishiguro’s beautiful and haunting evocation of life between the wars in a Great English House, of lost causes and lost love.
The Remains of the Day is now available as a Faber Modern Classics edition.
It is 1948. Japan is rebuilding her cities after the calamity of World War Two, her people putting defeat behind them and looking to the future. The celebrated artist, Masuji Ono, fills his days attending to his garden, his house repairs, his two grown daughters and his grandson; his evenings drinking with old associates in quiet lantern-lit bars. His should be a tranquil retirement. But as his memories continually return to the past – to a life and career deeply touched by the rise of Japanese militarism – a dark shadow begins to grow over his serenity.
Etsuko lives alone in rural England, trying to come to terms with the recent suicide of her daughter, Keiko. A visit from her other daughter Niki sends Etsuko retreating into the depths of her memory. She finds herself reliving one particular hot summer in Nagasaki, when she and her friends struggled to rebuild their lives after the horrors of the bomb and World War Two.
But when her thoughts turn to her strange friendship with Sachiko and Sachiko’s daughter Mariko, the memories begin to take on a disturbing cast. As Etsuko examines her relationship with her daughters and struggles to cope with her guilt, the lines between the past and the present – between Etsuko’s own daughter and Mariko, between reality and recollection – start to blur.
Read the evocative and atmospheric novel that began Kazuo Ishiguro’s illustrious literary career. Winner of the Winifred Holtby Prize in 1982, A Pale View of the Hills is still haunting readers decades later.
There’s a journey we must go on,
and no more delay